Bands of crimson, umber, and green fold into each other like cliffs and river cuts, while a deep ultramarine sky locks the scene in place. Forms interleave as paired curves, so union and separation read at once. Watercolor moves from soft veils to firmer edges, letting temperature shifts carry the narrative. The Armenia note is plausible in the palette. Yerevan’s tuff gives the region its pink to orange stone, and volcanic formations like the columnar “Basalt Organ” at Garni set a geology of stacked planes and rhythmic breaks that the painting abstracts into color and contour, not topography.

The title draws on the marriage vow line from the Book of Common Prayer, first printed in 1549, where “till death do us part” names a bond defined by permanence and limit. The phrase supplies the work’s emotional armature while the interlocked shapes keep the meaning visual.